Robinson’s standing was still so strong that he is given a delayed entry in the movie, adding dramatic weight when he finally does appear. For this, their last time together onscreen, the two had equal status. At the time Robinson’s status was so high that his name had appeared above Humphrey Bogart’s in all of their movies together. It has a great villain in Edward G Robinson. While a good cast and a good director cannot always redeem a bad movie, consider the talent that is on offer here.
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The storm scenes are obvious models and, as if that is not bad enough, they are stock footage lifted from an earlier Warner Brothers movie, Night Unto Night.Īnd yet…and yet…Key Largo is an immensely entertaining movie that overcomes the limitations of its script, budget and setting. After his last movie ran over budget, Huston was kept in rein here. Almost all the action takes place in one hotel, and we have to wait until the end of the movie to see any real action. It was based on a play, and this accounts for its stagey settings. Lionel Barrymore draws the short straw here, and he is left to struggle with some insipid dialogue. The final script is presumably much better, but it does have its weaknesses.
The story was based on a script that had to be rewritten extensively, as the movie’s director John Huston thought it was poor.
Key Largo is a good demonstration of the value of star power, and how it can sometimes overcome the weakness of the original source material.
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